
Nola sat down on the next bench. She was smoking a long cigarette, maybe a Benson & Hedges like I used to smoke.
She looked over at me. “How old are you?” I stood up to get closer. She asked her question again, “How old are you?”
“Pretty,” I joked except she didn’t get it, asking her question a third time. I told her my age. She told me hers. I told her she was just a kid. She rolled her eyes and took a long drag. It looked dreamy, that drag, even though she seemed steamed about something. Not my age or me, but something else.
She pointed over at the slide. “That’s my great grandchild.” He was sliding down face first, landing inches away from my granddaughter who was playing dead at the bottom of the slide. Another girl walked over and put her hand on my granddaughter’s chest to ‘feel a heartbeat,’ declared her still living and they all laughed and ran to the top of the slide.
“My granddaughter lived with me a long time and then she had this boy and she just took off. And so now I’m raising this boy. I don’t want to raise any more kids.”
She scanned the couple dozen kids playing in the water and the nearby playground looking for one that might be attached to me. There weren’t any other white people there – not adults, nor kids. All Black except one little Hispanic girl and her Anglo grandmother.
“That’s my granddaughter,” pointing to the girl playing dead again. I thought about it a minute and then I said, “Her mom died a few months ago. So now she lives with us.”
Nola looked startled. “Your daughter died?” And I could see her calculus – was having a daughter die worse than having a granddaughter run off and leaving her son for you to raise?
“I have to go,” Nola said, looking around for her great grandson. She dashed off even though the boy kept playing with his new Hispanic friend. She didn’t say goodbye and I didn’t see where she went.
I just sat back down on the bench and listened to all the kids laughing.
My daughter dying in a foreign country.
I’m free from this worry because she died here – in the United States instead of in Nicaragua where she had been living. Could I be any more macabre?
This morning on the back porch, I said to my husband, “I don’t want people to feel sorry for us.” He took a sip of coffee, put the cup down on the porch table and said, “If they read your blog post last night, they’re going to feel sorry for you.”
I suppose. The price for public lamenting is catching all the “Oh poor you!” vibes let loose by your moaning. Oh well. I don’t know what I’m doing with this ‘getting over it’ business. I do recall a friend who lost two of her children and who found a million reasons to avoid my consoling her. I finally, in my ignorant determination, went to her house with deli sandwiches and ice cream. She eschewed the sandwiches but picked a bit at the ice cream. She told me things that made me so weak I could eat neither a sandwich nor the ice cream. The sorrow was like acid rain and she knew it. She could see it dripping on my innocent well-meaning self.
Like my friend, I don’t want anyone bringing me sandwiches and ice cream. I don’t want anyone to ask me how I am doing or how my granddaughter is doing. We’re all fine, I’ll say. I want to maneuver through the world in a bubble of my own construction. There’s only one person I trust with my puzzling and opining and second guessing and that’s the person I’ve been married to for forty-two years. We meet on the back porch and sort things out and then revisit and rediscuss and then when something has been chewed to death, we put it aside and watch the squirrels hop on the fence like they think we can’t see them.
I am glad to be free of the worry of my daughter dying in a foreign country. It’s one less thing we have to talk about on the back porch.

After a great sand-filled, barefoot, pants wet from the rain on the slide visit to the playground, my granddaughter hurt her finger somehow getting into the car. She told me her finger was broken and she started to cry. We drove out of the playground parking lot. She cried louder.
We got on the main drag to go home. By then, she was wanting her mommy, calling for her mommy in the most plaintive, lamenting way. And then more tears. Genuine tears, heartache tears, like it had come upon her all at once that she had lost her mom. Her mom had died. She says that matter-of-factly to people, “My mom died.” It is a thing that has happened.
But the calling out for her mommy, the lamenting, is something else altogether. It happens in private with just me and her grandpa. It is a four-year-old’s grief.
We come home and go in the kitchen. She pulls out the silverware drawer and sits underneath. She says the lights are too bright, so I turn them off and turn on the softer light over the sink. She watches while I peel sweet potatoes. The tears are still coming but she isn’t sobbing. She is just saying “I want my mommy.”
I hug her and tell her I am sorry that her mommy is gone. That we miss her, too. And I know that to be true because I went through the second drawer of my desk today and I found the one of the pictures of her mom that I had been looking for to display at her memorial service, the one with her in her high school graduation gown, her head buried in her dad’s shoulder and her dad looking so goofy and proud. It broke my heart.
Whose grief is whose?
I know this much. My granddaughter’s grief has taken my mind off my own. The need to surround her and protect her has superseded any grief or loss I let myself feel. But all of this is getting harder to stow away.
In the drawer I found a tiny Little Mermaid figurine. My granddaughter saw the figurine on my desk and asked to take her in a bath. She asked if her mom played with that Little Mermaid and I said maybe because I couldn’t remember but probably yes. I don’t remember all the things. There is an avalanche heading toward me and I have nothing on but shorts and an old t-shirt.
That is what I know about grief right now. Nothing.
(I wrote this on August 5, 2017. Nine years later, I’m in a different spot about death and grieving. I’ll write about that later today. Two posts on the same day. Wild.)
The problem with writing when you’re anxious or a little depressed is that everything ends up being about death – your own death, your spouse’s, your kids’, your dogs’, the death of the great American city, Death Be Not Proud, you get the idea. It’s depressing.
I considered submitting something for an essay contest. The topic was ‘the happiest day of your life.’ Oddly, I remember the happiest day of my life but it lacks drama and angst so I don’t think I could write convincingly about it.
My Happiest Day
It was a hot summer day on Lake Superior. All of our children were staying with us in our old house on the beach. I’d reluctantly come in from swimming to start dinner and, as I was chopping onions, my younger son ran into the house yelling, “Mom, why did you leave? Come back swimming.” And I put down my knife and walked back out to the beach into the water and swam along the shore with him and the other kids and our dog until the sun almost set and my husband was waving to us from the porch, “It’s time to come in for dinner.” And when I came in, Kathy Mattea was singing “Love Travels” on the stereo.
I found myself wishing the prompt was saddest day or most regrettable day. I want to start a post talking about how cocktail hour seems to be starting earlier every afternoon and how investing in Two-Buck Chuck has been my frugal move of the month. But even with all my little snarls of turmoil, I am a Strawberry Shortcake in the world of agony writing. I am nobody’s victim except, occasionally, my own. I can’t hold a candle to true despair. Mine is hobby suffering. It’s temporal and temporary.
I have friends who are experts at suffering. They allude to the physicality of it, the aches and pains, the lack of appetite. “Why are you not hungry?” I ask. “Because I am grieving,” comes the incredulous response. Me? I am not grieving. I have avoided grieving. But I am afraid of grieving and that itself is putting me in this strange, onion-like place. There are layers to all of this and I don’t want to peel any of them away.
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Photo by Tobias Macha on Unsplash

I am trying to live an undocumented life but it is very difficult when one’s practice is to document everything.
This afternoon, flying a bumblebee kite, I thought about how I ought to take a picture of the kite, more specifically the string running from my hand to the bumblebee’s chest. That line, that string against a completely blue sky was the perfect shot so I looked around for my husband to ask him to get my phone because part of my undocumented effort is to quit carrying my phone in my pocket all the time.
But he’d gone inside after watching the beginning of the kiting, if that’s what they call it, and I knew he was probably napping. It was a July afternoon on vacation, after all, what else would he be doing? It wasn’t even worth yelling, the wind would drown out all but the shrillest, most terrifying scream and I wasn’t ready to go to such lengths just to take a picture.
Besides, I thought, one can remember things. I remember that when we were kids, my brother, who was nine years older than me, could make a kite out of newspaper and balsa wood. Having newspaper laying about seems common but why we had a ready supply of balsa wood I couldn’t tell you. My folks were handy, though, so they had stuff like vast assortments of nails and screws, tools of all sorts, tiny screwdrivers, vices that would hold thing still, my dad could fix a toaster and tie a fly, my mother turned dresses into curtains and vice versa, all of which goes by saying, of course, we would have balsa wood and probably enough lumber to make a rowboat if the need arose.
So my brother would make a kite, I can see him doing this in my mind’s eye, the newspaper spread out on the kitchen floor and then when the kite was done he’d tear up old cloth to make the tail. “It needs more tail,” he would say, and then outside when we tried to fly it, he’d say it again, “It needs more tail.” Then flying a kite seemed like something I would never be qualified to do, at least not without my brother.
I don’t have a picture of my brother making a kite or flying one. I have almost no pictures of my brother, even though for many years he was my great defender and caretaker. He wasn’t making the kite for himself, he made it for me. That’s what I remember.
So I flew the bumblebee kite today with my 15-year old granddaughter and 6-year old twin grandsons. Then my granddaughter put together a second kite, a Little Mermaid kite, and we took turns flying both kites but for long stretches of time I flew the bumblebee kite by myself, the wind blowing hard off Lake Superior and the kite flying as high as its string would take it. I am so lucky, I thought. I am so lucky to fly this kite. I don’t need a picture to remember my great luck.
But as it happens, there was a picture taken and so I share it here with you.
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Originally published in 2019

I know a few people who’ve lost their adult children.
But I only know one who became a guardian of a very young child as a result. And I saw her yesterday in a coffee shop where I was meeting with a colleague about older adult issues. Ours was the longest hug.
No one understands this crazy experience except someone who has been there. Oh, people are sympathetic – either about losing our daughter or about taking on responsibility for a four-year-old – but they can’t fathom how crazy all this is. Or how history is repeating itself in her little face (she looks so much like her mother) and her love of Barbies. When her mother came to us when she was seven, someone dropped off a dozen Barbies with bins full of clothes on our front porch. The Barbies were everywhere.
When I thought about writing tonight’s post, the phrase “Your body language screams self-pity” kept coming up. I’ve noticed how I walk with my head down and shoulders slumped as if the cosmos has dealt me a terrible blow – me, unique me, singled out me, me alone, me the poor mother, me the disheartened grandmother, me who plans to teach her four-year-old granddaughter how to properly wash a car.
Before one of her many heart surgeries, my grown-up daughter came to my room in the early morning to tell me she was afraid. I moved over and made room for her in our bed and, in a rare relaxing and letting go of everything, she made room for my comforting her. This morning, just before the sun came up, her daughter tapped me on the arm and I opened the quilt for her to slide in next to me, her little arm over mine.
I’m jumbled. But it’s not my job to be coherent and collected, to write the best essay, to flow, as they say, hang together. No. It’s just my job to stay afloat, do what’s next. Whatever that is.
What are the ten thousand things you’ve done wrong?
Is there a list? Did you keep a list? It’s not too late to compile.
You could leave room for more, the list can be open-ended, just set another place at the table.
Runners wear weighted vests.
They do it to make a hard thing harder, punish themselves like monks whipping their own bare backs with branches
in order to call back their sins, free themselves from regret, show they are sorry. Runners love the heaviness, how the weight makes them sweat, how passers-by nod in admiration.
It is a bad idea to write when one is in a black mood.
People will think they need to call you and inquire. They won’t understand inquiry is unwelcome, obtrusive, that it is burdensome to explain that dark times will pass, they always do, that you are too busy to talk because you are working on your list. It is very long and people are calling your name from the other room.

What I love most about watching episodes of Julia Child’s The French Chef is how she scrapes the inside of a fish after scaling it and having the scales flying all over the place. I love how she pulls all the guts out, rinses the fish in the sink, puts it in a pan, and pats it like a favorite pet.
I love her 1970’s instructions, that we should store the fish with ice on the bottom and ice on the top and then when we’re ready to cook the fish, swab it with oil inside and out and, of course, give it a good sprinkle of salt and ground pepper (in the cavity) and how she talks about flaming the fish with fennel but that seems beyond me, for some reason.
I love also how she quickly gathers up and throws on the floor anything that smacks of failure, like a poorly cut piece of chicken or a radish that refuses to flower. Mistakes are just so much trash to her. That is my attitude as well so we are simpatico, me and Julia.
There is also Julia’s extraordinary reliance on butter, which, I believe, is the key to all successful cooking, and her resistance to using actual measuring spoons or cups. Just guessing is my favorite thing. I overdo it sometimes, just guessing and then guessing again and again because I thought the first guess was too modest, but never mind.
Right now, Julia is putting the fish head on a pillow of aluminum foil. And stuffing its insides with fennel seeds.
Now it’s in the oven and she has begun the sauce. Much lemon zest. And a stick of butter. Of course. And cream.
Now she is moving her cooked fish to a special fish plate and garnishing it with parsley. She is putting a sprig over its eye. I would do that. For sure.
Back to the sauce goes the juice from the fish and more parsley. Now she is picking up the fish plate like it is a just-diapered baby, that’s how gentle she is about her fish. At the table, she is scattering fennel seeds in a hot pan, adding cognac, and then, of course, striking a match!
The flame is invisible and I sense Julia’s disappointment. She presses on, though, peeling the roasted fish skin back to reveal the perfectly cooked flesh and telling us what wine to drink, as if nothing is amiss.
Julia is my role model, for cooking and much else.
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Originally published in 2021 but it popped up this morning and made me nostalgic for the old days when we watched endless episodes of Julia and quietly celebrated surviving Covid.

My petunias are getting leggy. This is always the time of the year when they get leggy and I turn again them, resent their not keeping themselves thick and lush. I would have to sit out there on the front porch for three hours to deadhead those damn petunias and, really, is it worth it?
I think about it but then I realize everything is leggy and disappointing. I think about this while carrying in a new pack of doggy training pads which I’ve been using to prevent Tempest from peeing in the same spot on the landing’s carpet. Except the pads don’t prevent her from peeing in the same spot (as countless dogs before her have despite the carpet cleaning guys with their loud machines and giant tubes snaking their way out our front door to their truck), the pads have reinforced her peeing in that spot.
Yes, I am training a dog (who is otherwise housebroken and really well-trained and obedient) to pee on pads I put down on the carpet because I don’t want her to pee on the actual carpet. It’s crazy. And there’s no clear path forward.
On the front porch (where the leggy petunias are sitting), there is a table that is set up with art supplies and paper and coloring books and bubbles, and the porch serves as sort of an outdoor playroom for our granddaughter who lives with us. Also, on the porch, waiting its turn to be put away, is a storage bin of her mother’s costume jewelry and several Christmas ornaments. I want to put this box somewhere because it is beginning to feel like the leggy petunias, but I am loathe to move it because every so often my granddaughter opens the box and takes something from it and that thing or things show up in a place that is precious to her, like these tiny shoes sitting on a table that she has fashioned into her ‘desk.’
So, I think I will just let that be. Not worry about the box of jewelry or the training pads but maybe deadhead the petunias, just to have some forward movement here.
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